This 17th century music stresses the equal importance of the score and the sung text, their interconnection. As the scholar Marin Mersenne wrote, the music in that moment becomes a 'harmonious whole', a performance of both vocal and musical significance.
The Irish Chamber Choir of Paris, under the artistic direction of Jean-Charles Léon, presents a rarely heard programme of Lully motets in which the Florentine master displays his command of both music and words.